I've made no secret of the fact that I love carnations. I think they're the most underrated flower in the market. They've been associated with inexpensive florists - mass produced and funereal. It's not deserved. My mother grew carnations in her big flower garden when I was growing up. I always loved their luscious vanilla/clove sweetness. Unfortunately the scent has been bred out of them and what remains is either scentless or stinky. Except for these! After a short hospital stay a few years ago a friend dropped by with purple and white variegated blooms that had a lovely fragrance. I haven't seen them since until one evening this week they caught my eye as I was passing the market. Now these eye-catching flowers are all over the apartment, in a jug on the coffee table and in bud vases on my end tables, desk, bedside table and in the bathroom. All of this luxury for $5. Maybe carnations are best kept a secret.
Birthday Cake
I took a little time off in August. Because of my mother's poor health I gave up on the idea of a summer vacation and decided to stay put here in Brooklyn. At one point in early August my brain stopped working and I struggled to get anything done. Guilt and worry set in, that good old Protestant work ethic, until I realized that even if I wasn't going away I still needed a break. I saw a few clients, hosted a private party and filled orders but other than that I've tried to let go and have a staycation. It hasn't exactly been fun. I filled my days taking care of things I've been putting off, namely big cleaning jobs and doctor's appointments.
The end of the month, tho, is birthday time. I have a very good friend who's birthday is the day before mine (we were born mere hours apart) and we've never had the chance to celebrate together. Hers was this past Friday, mine on Saturday. The plan was to bake a cake on her birthday and make dinner for friends and serve the birthday cake on mine.
After a lovely lunch at a local trattoria on Friday we went to the market (our local food coop) and bought supplies. We decided on Vanilla Malt Cake. The recipe we were using called for malt powder but when we looked at the ingredients label filled with preservatives and additives we decided for the simpler barley malt syrup. This meant doing a little tweaking with the recipe, making sure we had the correct proportions of wet and dry ingredients.
I must confess that the batter was incredibly delicious and couldn't keep my fingers out of it. Cleaning the bowl was sublime. The cake itself was a little heavy. We looked at recipes for honey cake and most of them were made of multiple layers. I think that would work well for this cake as well. The barley malt made it quite dense. It was wonderful and everyone had seconds (so I know it was good!). Still, I'd like to tweak the recipe and try again with more layers, less barley malt, more vanilla and maybe more baking powder. Cake is a science and experiments are necessary.
We whipped up a special blush colored buttercream and I had a wonderful time playing floral designer and decorating it with flowers. It got quite a lot of oh's and ah's when it was served. Final recipe forthcoming.
Tools of the Trade, Part Two: the Graduated Beaker
Of all of my measuring tools I love my graduated beakers the most. Aesthetically it's the shape and look of them. I have a hand blown and etched glass one similar to these as well as a few others I've collected along the way.
In actuality they're very useful and all come with a pouring spout (or beak) that makes life far simpler. After so many years of admiring the aesthetic it's truly gratifying for me that I actually have to use them for my business. I am, after all, an apothecary.
These are my own tools - graduated beakers and a brass mortar and pestle. |
I've always thought laboratory glassware made fantastic barware. |
In fact, here I am serving cocktails with one here. |
I've been making floral arrangements in them since the 80's. |
Nice Write Up in Crain's New York
I've been remiss in posting this lovely article about myself and my perfume business in Crain's New York. I was lucky enough to be contacted by the magazine for the interview. They sent over a photographer with more equipment than I thought would fit into my studio or that he and his assistant could possibly use. They used every bit of it!
Flora, a Perfume with Carnation at it's Heart
Carnations, underrated and maligned, are actually one of my favorite floral fragrances. Not the mass produced carnations available in every florist shop and displayed in funeral arrangements across the country. Those carnations have been hybridized to be big and showy but most have no scent whatsoever, and if they do it's faint and rather stinky. I'm talking about old fashioned carnations like the ones my mother grew in her garden when I was growing up. At that tender young age I wasn't put off yet by the florist industry so my appreciation of them was pure.
I was approached recently by the floral industry giant, Teleflora. They were possibly interested in having a fragrance created to celebrate a new line of arrangements they were launching. At one time in my career I was a floral designer working for high end designers in New York City. We cringed at companies like Teleflora and FTD and the use of carnations in general. At first when I got the offer I wondered how I could reconcile my disdain for mass produced arrangements with the possibility of being hired to create a fragrance. Alas the job fell through almost as soon as it was offered but the challenge stayed with me. It became a quest to create the most beautiful carnation floral fragrance I could muster.
The result is Flora, a spicy, earthy floral with carnation at it's heart. Mitti, an Indian attar of sandalwood saturated in baked earth, is the foundation of the perfume. Warm vanilla absolute bonds with the vanilla notes in the carnations to bring it's sweetness all the way into the dry down. A touch of agarwood co2 and dark patchouli add darker and more tenacious nuances.
Clove bud absolute brings out the spiciness in the carnation which is sweetened just a bit with orange blossom concrete and apricot isolate. Wild lavender adds a floral aspect to the top with blood orange lending a touch of sweetness and linalool rich ho wood acts as a bright and warm invitation.
"Flora evokes the kind of fairy that hovered around Juliet's bed just after Romeo left. Flora has Juliet feeling sultry and lustful, shimmering in that innocent radiance at its fullest when a maiden has found her naughtiest dreams come true." Victoria O.
Top notes: ho wood, wild lavender, blood orange
Heart notes: carnation absolute, clove bud absolute, apricot natural isolate, orange blossom concrete
Base notes: mitti attar, vanilla absolute, agarwood absolute, dark patchouli
You can purchase Flora from my website, herbalalchemy.net or my Etsy store, etsy.com/shop/herbalalchemy.
I was approached recently by the floral industry giant, Teleflora. They were possibly interested in having a fragrance created to celebrate a new line of arrangements they were launching. At one time in my career I was a floral designer working for high end designers in New York City. We cringed at companies like Teleflora and FTD and the use of carnations in general. At first when I got the offer I wondered how I could reconcile my disdain for mass produced arrangements with the possibility of being hired to create a fragrance. Alas the job fell through almost as soon as it was offered but the challenge stayed with me. It became a quest to create the most beautiful carnation floral fragrance I could muster.
The result is Flora, a spicy, earthy floral with carnation at it's heart. Mitti, an Indian attar of sandalwood saturated in baked earth, is the foundation of the perfume. Warm vanilla absolute bonds with the vanilla notes in the carnations to bring it's sweetness all the way into the dry down. A touch of agarwood co2 and dark patchouli add darker and more tenacious nuances.
Clove bud absolute brings out the spiciness in the carnation which is sweetened just a bit with orange blossom concrete and apricot isolate. Wild lavender adds a floral aspect to the top with blood orange lending a touch of sweetness and linalool rich ho wood acts as a bright and warm invitation.
"Flora evokes the kind of fairy that hovered around Juliet's bed just after Romeo left. Flora has Juliet feeling sultry and lustful, shimmering in that innocent radiance at its fullest when a maiden has found her naughtiest dreams come true." Victoria O.
samples are available |
Top notes: ho wood, wild lavender, blood orange
Heart notes: carnation absolute, clove bud absolute, apricot natural isolate, orange blossom concrete
Base notes: mitti attar, vanilla absolute, agarwood absolute, dark patchouli
You can purchase Flora from my website, herbalalchemy.net or my Etsy store, etsy.com/shop/herbalalchemy.
Lights! Camera! Action!
I was recently interviewed by the lovely Christie Clements for Cosmo Times. Christie and I made a perfume together while the cameras rolled. It was my first time being interviewed on camera and I learned a lot! For all of you wondering what a custom perfume consultation is like...
A Little Love From Marie Claire
My perfume organ where I do bespoke perfume consultations. |
Consultations are $125 per hour and include a quarter ounce vial of perfume. A session generally lasts about an hour and a half. By appointment only: info@herbalalchemy.net, (718)788-6480.
Lovely Review of Sol de la Foret in Cafleurebon
"Without being dated or trying to be "fresh" this fougere radiates gentle green, but also timeless strength, in a unique almost brooding manner. Its power is evident from the first sniff. It is, however, in its restraint and poise that Sol de la Foret truly impresses me. Old world charm and sophistication in a modern all natural perfume that still keeps its classic grandeur is indeed wonderful."
Sol de la Foret
available on Etsy
Teeny Tiny Mention in Marie Claire Magazine
It's so tiny you could almost miss it. In fact I did miss it! A client was on their way over for a consultation and was reading Marie Claire on the train and noticed it. I don't even know who to thank! Whoever you are, Madame Editor, thank you for the sweet inclusion!
Consultations are $125 per hour and include a quarter ounce vial of perfume. To find out more click here.
Consultations are $125 per hour and include a quarter ounce vial of perfume. To find out more click here.
Creating a Carnation Perfume
The sun hits the work in progress on Flora |
Once upon a time I used to be a floral designer. I started in Boston and worked in two very sweet shops catering to a sophisticated clientele. After I moved to New York I worked at a big shop on the Upper West Side before I ventured out into freelancing and working for party and event planners. While in the shops I frequently would get Teleflora and FTD orders for arrangements that were not quite to my taste, and that of our patrons. We designers would always do our best to fulfill the orders while raising the mark slightly.
Dianthus caryophyllus |
Home Studio Classes
It's official. I've begun teaching small groups in my cozy and intimate home studio. I've been wanting to teach here for many years and the surprise closing of 3rd Ward last month deemed it time to begin. I taught a beginner's class a few weeks ago but this past Saturday I taught my Fougere Workshop, the one I've been talking about for months now.
It's no secret that I've been fascinated by fougere's and the delightful and enticing molecule, coumarin, for some time now. I'm a natural born researcher so when I set out to make my first creation (which turned out to be Sol de la Foret) I had to do my homework first and read up on it. I began to send for samples of some of the original fougere's, notably Fougere Royale by Houbigant and Jicky by Guerlain, and also from some of the natural perfume world's best perfumers who've made a perfume in this classification. As I compiled information, both factually and sensorily, I realized that I had the makings of a great workshop devoted specifically to this genre.
After taking in the samples and getting an idea of the generalities of a fougere and the wide breadth of different varieties we explored the materials in a little more depth. Tonka bean, hay absolute, sweet clover absolute, oak moss, cedar moss, ho wood and cassia as well as a selection of lavender essential oils, absolutes and concretes were introduced. At this point the students set out to make their own quintessential fougere. After a little gentle critiquing of their creations we went further and discussed the different classifications more in depth (amber, floral, fresh, leather, oriental and precious wood fougere's). A few new materials were introduced such as davana, buddahwood, ambrette, choya nak, aglaia and magnolia and then the students set out to create their second perfume.
The class was such a success and the students so enthusiastic that I broached the subject of a salon series meeting semi-regularly to break down the fragrance classifications. The group was so enamored of the choya nak (a destructive distillation of roasted seashells) that the conversation kept turning to leather notes. They were excited about the notion of an exploration in leather perfumes so I can see I have my work cut out for me with my next research project. My head is already spinning with images of 16th Century Parisian glove makers using gorgeous florals to cover up the smell of animal skin. Smokey cade, birch, myrtle, styrax... Expect a leather perfume to follow!
If you're interested in being part of the Salon please email me at info@herbalalchemy.net. Space is limited.
It's no secret that I've been fascinated by fougere's and the delightful and enticing molecule, coumarin, for some time now. I'm a natural born researcher so when I set out to make my first creation (which turned out to be Sol de la Foret) I had to do my homework first and read up on it. I began to send for samples of some of the original fougere's, notably Fougere Royale by Houbigant and Jicky by Guerlain, and also from some of the natural perfume world's best perfumers who've made a perfume in this classification. As I compiled information, both factually and sensorily, I realized that I had the makings of a great workshop devoted specifically to this genre.
After taking in the samples and getting an idea of the generalities of a fougere and the wide breadth of different varieties we explored the materials in a little more depth. Tonka bean, hay absolute, sweet clover absolute, oak moss, cedar moss, ho wood and cassia as well as a selection of lavender essential oils, absolutes and concretes were introduced. At this point the students set out to make their own quintessential fougere. After a little gentle critiquing of their creations we went further and discussed the different classifications more in depth (amber, floral, fresh, leather, oriental and precious wood fougere's). A few new materials were introduced such as davana, buddahwood, ambrette, choya nak, aglaia and magnolia and then the students set out to create their second perfume.
Tester strips of some of the perfumes we sampled |
The class was such a success and the students so enthusiastic that I broached the subject of a salon series meeting semi-regularly to break down the fragrance classifications. The group was so enamored of the choya nak (a destructive distillation of roasted seashells) that the conversation kept turning to leather notes. They were excited about the notion of an exploration in leather perfumes so I can see I have my work cut out for me with my next research project. My head is already spinning with images of 16th Century Parisian glove makers using gorgeous florals to cover up the smell of animal skin. Smokey cade, birch, myrtle, styrax... Expect a leather perfume to follow!
If you're interested in being part of the Salon please email me at info@herbalalchemy.net. Space is limited.
Lovely Review in Fragrantica
I taught my first workshop in my home studio last weekend and among my students were very special guests Olga Ivanova and Zoran Cerar of Fragrantica. Their eagerness to participate and infectious enthusiasm were a delight. I was so honored to have them and thrilled by the beautiful review they gave the class.
Sol de la Foret
Sol de la Foret, my newest fragrance, is a true labor of love. After falling head over heals with the fragrance family, fougere, I set out to make my own. To be a true fougere a perfume must contain a coumarin note, oakmoss and lavender. Coumarin was the first synthetic chemical created in a laboratory in 1886 and was the principal ingredient in Houbigant's Fougere Royale, since considered the industry standard. Coumarins are found in abundance in materials like tonka bean, sweet clover, flouve and deertongue. It is also found, rather surprisingly, in lavender.
For this creation I've used a generous amount of rich caramelic tonka bean. To give it a greener, mossier and more coumaranic note I also added sweet clover, a new favorite of mine. I used a bit of fossilized amber, a tree resin that is millions of years old from high in the Himalayan Mountains, in the bottom to add a dry smokey quality to the earth element of the blend. It dries down very soft and sweetens adding a slight powdery note at the bottom - along with great fixation. Tobacco and Vanilla CO2 add some warmth to the whole bottom. Following the rules of the true genre there is also the addition of oakmoss, adding a wet roots and leaves note to the forrest floor. Those sensitive to oakmoss be warned.
At the heart of the perfume is a lovely synergy of carnation and lavender absoutes with a touch of clary sage and orange blossom concretes. Tunisian neroli was a perfect match for high linalool ho wood at the top, with just a drop of blood orange.
Top: ho wood, neroli, blood orange
Heart: carnation and lavender absolutes, clary sage and orange blossom concretes
Base: tonka bean, sweet clover, oak moss, fossilized amber and tobacco absolutes with vanilla CO2
This perfume comes beautifully packaged in a brown velvet envelope in a gold box with a vintage velvet millinery leaf nestled inside. No markings of any kind have been made to the box or velvet envelope so that they bay be reused (or regifted as the case may be). The leaf is your keepsake, that and the lingering fragrance.
This perfume comes beautifully packaged in a brown velvet envelope in a gold box with a vintage velvet millinery leaf nestled inside. No markings of any kind have been made to the box or velvet envelope so that they bay be reused (or regifted as the case may be). The leaf is your keepsake, that and the lingering fragrance.
Introducing Sol de la Foret, the forest floor.
See the listing on my website or Etsy store.
To learn more about fougere's, and a chance to make some yourself, sign up for my Fougere Workshop, Saturday, November 16th.
Mystery Found Fragrance
While hunting for bottles on the beach last month I came across this tightly capped mysterious bottle filled with liquid. I opened it right then and there and smelled a faint floral fragrance amidst the brackish seawater. I tucked it in my bag and proceeded to scavenge and only opened it later when I was home and sorting through my finds. In the comfort of my home it smells more like dirty seawater than heavenly floral but still a faint trace of its original contents remains. The sediment on the bottom could be fragrant matter that separated from the alcohol once water was introduced. Or it could simply be debris from the ocean floor. The bottle has no markings and is such an industry standard design that it could be almost anything. Mystery indeed.
Beach Bottles
I had some good luck collecting bottles on the beach this year. Most of them get scrubbed clean, sterilized and bottle up my cologne experiments. Some of them end up as spice jars, medicine jars, liquor bottles and some are just for the love of collecting bottles. These are some of the treasures I found this summer.
New Colognes
Colognes bottled up and ready |
I started the project by individually tincturing the dry materials to see/smell what they do on their own. Then I was able to blend with more confidence. After doing research on old cologne formulary and coming up with some ideas of my own I set about working my ideas out on paper. I knew I wanted to do a fougere and I've always wanted to make something called Swamp Water. The new fragrances are:
Foret de Fougere: Lately I've fallen in love with the fragrance family fougere. French for fern, fougeres are meant to replicate the scent of the forest floor (ferns don't actually have a scent of their own). To be a true fougere there must be three notes - lavender, oakmoss and some kind of coumarin (the molecule responsible for the sweet caramel note in tonka beans, hay and sweet woodruff). Oakmoss is a little tough to come by in its natural state but the coumarin note was accomplished by sweet woodruff and tonka beans and accented with vanilla beans and patchouli. Jasmine forms the heart of this fragrance with lavender and cassia in the top. I'm really happy with the way this one came out, it may be my favorite of all the cologne experiments.
L'eau du Who: L'eau du Who is inspired by the classic cologne, 4711. After a little research I came up with an approximate formula for the cologne and broke it down into something akin. Patchouli leaves, vetiver roots and sandalwood powder form the base while jasmine, rose buds and peach tea create the heart, finished with meyer lemon, minneola tangerine and orange peel combined with basil and lemon verbena. I named it after my guitar hero, Pete Townshend of the Who, who reportedly wore it before his shows.
Swamp Water: Swamp Water is an idea I came up with long ago when fantasizing about the bayou. I saw grasses swaying in the breeze, the night air thick with heavy florals, a refreshing glass of tea with herbs. Vetiver, the roots of a grass, and sweetgrass combine with sandalwood to form the base while jasmine, meadowsweet and lavender bring in the heart. Swirling on top are jasmine tea, orange peel and lemon verbena.
Meadowsweet: This cologne could easily be called Honey Water as it is as sweet as nectar. Meadowsweet and linden blossoms sit atop crushed tonka beans and sandalwood with lemon verbena gracing the top.
Terroir: Terroir is the term used to describe the special set of characteristics that the geography, geology and climate of a certain place, interacting with the plant's genetics, express in agricultural products. Most of the herbs and flowers used in this potion are locally grown and harvested myself. Sweet woodruff, which grows in my herb garden, is supplanted with orris root and sweetgrass to form the bottom chord. Freshly harvested linden blossoms and pink and white roses form the heart, with home grown lemon verbena, tarragon and sweet annie on top. It has a sweet earthy lushness, Brooklyn grown.
Scented Powder
My summers are spent conjuring up ways to stay cool. Middle age has caused a heatwave in me that needs as much chilling as possible. I have a few standby tried and true remedies I use including cucumber water, violet tisane, mugi cha (Japanese roasted barley tea) and an evening bath followed by a delicate dusting of body powder.
Most commercial powders are made with talc, a mineral composed of hydrated magnesium silicate, a known carcinogen. There are other materials which are far less toxic and also have great absorptive properties. Corn starch is often used but bacteria can grow easily in corn so the less noxious alternative is arrowroot powder, a starch obtained from the rhizomes of several tropical plants.
Another alternative base for dusting powder is clay. Kaolin is often used but I use bentonite (simply because it's what I have on hand). Clay is absorptive so it's perfect for homemade powders.
Scenting the powder is a matter of choice. You can simply add essential oils to your powder base and mix them up, either in a blender or carefully spraying the oils over the powder and shaking it up. I prefer to use powdered herbs to scent mine. I started with powdered orris root and was using an equal amount of that and arrowroot. Powdered roses and sandalwood are also big favorites of mine. Some other choices are chamomile, calendula, orange flowers, lavender or just about anything you can manage to grind up. I buy some things already ground (roses, orris root, sandalwood) and other things I grind myself in a coffee grinder I use specifically for herbs.
Swan's down is the traditional material used for making powder puffs. I'm opposed to animal cruelty and I'm not sure what the effect is for the swan. Another alternative is lambswool. Far less expensive than down and quite a bit larger, you get quite a whomp of powder from one of these beauties. Otherwise it's synthetic polyester, not even an option in my book. There are also vintage down puffs available on Etsy and Ebay, some are quite beautiful.
We have a bit of summer left before the cool autumn blows in. Pamper your heatstricken self with a little fragrant dusting.
Most commercial powders are made with talc, a mineral composed of hydrated magnesium silicate, a known carcinogen. There are other materials which are far less toxic and also have great absorptive properties. Corn starch is often used but bacteria can grow easily in corn so the less noxious alternative is arrowroot powder, a starch obtained from the rhizomes of several tropical plants.
Another alternative base for dusting powder is clay. Kaolin is often used but I use bentonite (simply because it's what I have on hand). Clay is absorptive so it's perfect for homemade powders.
My Herbal Body Powder |
Swan's down is the traditional material used for making powder puffs. I'm opposed to animal cruelty and I'm not sure what the effect is for the swan. Another alternative is lambswool. Far less expensive than down and quite a bit larger, you get quite a whomp of powder from one of these beauties. Otherwise it's synthetic polyester, not even an option in my book. There are also vintage down puffs available on Etsy and Ebay, some are quite beautiful.
We have a bit of summer left before the cool autumn blows in. Pamper your heatstricken self with a little fragrant dusting.
Time Again to Tincture
Colognes and tinctures brewing in my studio |
Last summer I had some very good luck tincturing some of the dried herbs, flowers, roots, barks and berries that I've been collecting. Over the past year I've collected quite a bit more plant material to experiment with. I've not only collected plants in the park and from my community garden but also collected some from a couple of reputable herb companies. The first was Dandelion Botanical Company. My original intent with this order was the accumulation of the necessary ingredients for making bitters. Not surprisingly I couldn't resist ordering a few other scented materials such as osmanthus flowers and sarasparilla bark. Recently I received another order of herbs from Mountain Rose Herbs, a package I waited anxiously for which included such luxuries as tonka beans and meadowsweet blossoms.
Another heat wave had me conjuring up cooling and fragrant elixirs to calm the heat-addled spirits. My new materials had me quite inspired and I made a list of them categorizing them by top, middle and bottom note, just as I would if I were making a perfume. From there I jotted down some ideas and began blending. My mortar and pestle were put to good use (that always makes me feel like a real apothecary). They've been brewing for a month now and today they're being strained off and I'll soon be bottling them up for sale.
My favorite so far is Swamp Water which I dreamt up thinking about the bayou and tall grasses, night air thick with heady florals and sweet tea. I also made a fougere, my latest obsession, using sweet woodruff, tonka beans, patchouli, jasmine, cassia and lavender. Eau de la Who is inspired by my guitar hero, Pete Townshend, who I learned wore the classic 4711 when he went onstage. I plan on sending him some.
Homemade Tonic Water and Mick Jagger
Cocktail Lab met again this past Friday, the gang of four women that concoct the heavenly cocktail recipes reported in this blog. For this occasion I attempted to make homemade tonic water. I had most of the ingredients for a recipe I'd read about over the winter and was able to cobble together the remaining ingredients.
The natural source of quinine is cinchona bark, a plant native to the tropical Andes and western South America, which I bought in it's powdered form from Dandelion Botanical Company. According to Wikpedia, "The medicinal properties of the cinchona tree were originally discovered by the Quecua peoples of Peru and Bolivia, and long cultivated by them as a muscle relaxant to halt shivering due to low temperatures. The Jesuit Brother Agostino Salumbrino (1561–1642), an apothecary by training and who lived in Lima, observed the Quechua using the quinine-containing bark of the cinchona tree for that purpose. While its effect in treating malaria (and hence malaria-induced shivering) was entirely unrelated to its effect in controlling shivering from cold, it was nevertheless the correct medicine for malaria. The use of the “fever tree” bark was introduced into European medicine by Jesuit missionaries (Jesuit's bark). Jesuit Barnabé de Cobo (1582–1657), who explored Mexico and Peru, is credited with taking cinchona bark to Europe. He brought the bark from Lima to Spain, and afterwards to Rome and other parts of Italy, in 1632. After Spanish colonization of the Americas, the Jesuit missionaries were the first to bring the Jesuit's bark cinchona compound to Europe in 1632."
The recipe called for a stalk of lemongrass which I was unable to find. In it's stead I dipped a toothpick in lemongrass oil and swirled it around in the pot. A drop would have been too much so in this way I was better able to control the amount used. Another option would have been to dilute the oil in alcohol and use that by the drop.
The recipe also called for citric acid which I didn't have but after looking around the internet I learned that lemon juice is often substituted for it.
Homemade Tonic Water
1 lemon
1 lime
2 cups of water
2 teaspoons of cinchona bark
1 1/4 teaspoons citric acid (or the juice of one lemon)
1 stalk lemongrass (or a toothpick dipped in lemongrass oil)
1 1/2 cups sugar
Zest the lemon and lime and place in a saucepan, making sure not to include the bitter pith. Juice lemon and lime and add juice to saucepan, along with water, cinchona bark, citric acid powder, lemongrass, and sugar. Bring to a boil on high heat. Reduce heat to medium-low and cook for 45 minutes. Remove from heat and let mixture steep for 20 minutes. Allow the mixture to cool and strain through paper coffee filters. If I'd known better I would have bought the bark in it's raw rather than powdered form to make it easier to filter. Prepare to wait about eight hours for it to completely filter. Put in a clean glass jar or bottle and refrigerate. It makes about a cup and a half of syrup. The ratio for creating the tonic water is one part tonic syrup to four parts carbonated water.
The day we met was the occasion of the 70th birthday of the premier frontman of rock and roll, Mick Jagger. I heard on the news that day that Mick keeps in shape with yoga and pilates, runs sprints, dances as much as he can and goes to bed early - 2am. I think Mick owes much of his success (besides paring with Keith) to the fact that he never really overdid it. He never became a drunk or a drug addict, never over-indulged. I read in Pattie Boyd's lovely memoir, "Wonderful Tonight", that after a particularly wild party at Friar Park (the estate she shared with George Harrison) she woke up the next morning, hungover and bleary, to find Mick up washing the dishes before he headed out for a run.
In this spirit we've created a drink deserving of Sir Mick - something not too potent and particularly refreshing on a hot summer eve.
The Mick Jagger
3 ounces tonic syrup
2 ounces grapefruit flavored vodka
12 ounces seltzer
Grapefruit vodka is pretty easy to make. Simply zest the rind of a pink grapefruit and add to two cups of plain vodka, let sit one month and strain.
By the way, the very next night I made up a batch to bring to the Prospect Park bandshell to see another premier frontman of classic rock, Robert Plant. Mr. Plant is another that maintained his composure during the turbulant 60's and 70's and has the pipes to prove it. Bravo!
Heavenly Linden
The linden trees are blooming in Brooklyn once again. I wait for this time every year, the two weeks when the June air, just before the collasal summer heat, is heavenly sweet with linden. The genus, Tilia, also called lime tree in Britian, is a deciduous tree with heart shaped leaves, native to Europe and North America. The flowers are perfect, in other words bisexual, carrying both male and female parts and are pollinated by insects. The trees can live for centuries and there is one in Gloucestershire that is deemed to be 2000 years old.
The ambrosial aroma of these tiny flowers draws millions of bees and creates linden honey, a pale colored honey despite it's strong aroma and taste. The aroma is described as woody, pharmacy and fresh, also described as mint, balsamic, menthol and camphor. Therapeutically the honey is used primarily for treating colds and fever and is said to strengthen the heart. It is reputed to be one of the best tasting and most valuable honeys in the world.
Medicinally the flowers have been used by herbalists to cure insomnia and nervous anxiety. A tissane is also good for colds, fevers and nervous headaches. It is said to be one of the best herbs for hypertension, second only to hawthorne.
I took a walk up my block one morning and harvested about a pound of linden blossoms. In the cool shade of the tree I had only to reach up and gently pull the copious blossoms into my muslin bag. They're drying in baskets laid with parchment all over the kitchen. I'm also tincturing some as I did last summer using successive batches of flowers macerated in the same alcohol. I'm planning to use it as a perfume base. It's a difficult aroma to capture and the absolutes I've sampled are lovely but don't come close to capturing it's elusive sweetness. Even the co2's I've come across, although close, don't really possess it's charms. It's on it's third round of flowers now and has turned a beautiful pale yellow/green. The aroma is sweet and has taken on some of the notes in the flowers. It doesn't have much tenacity and it's very faint but if the right notes are built around it and don't dominate it I think it will give some lovely top notes to a summery fragrance. (More on tincturing later.)
In Proust's Swann's Way the narrator dips a petite madeleine into a cup of Tilia blossom tea. The aroma and taste of cake and tea triggers his first conscious involuntary memory. Indeed, the gentle fragrance in the afternoon air triggers memories of June in the late 80's when I first moved to my neighborhood, Park Slope, and had to know where that iniminable fragrance was coming from.
"When from the distant past nothing remains, after the beings have died, after the things are destroyed and scattered, still, alone, more fragile, yet more vital, more insubstantial, more persistent, more faithful, the smell and taste of things remain poised a long time, like souls, ready to remind us, waiting and hoping for their moment, amid the ruins of everything else; and bear unfaltering, in the tiny and almost impalpable drop of their essence, the immense architecture of memory.
"Yet again I had recalled the taste of a bit of madeleine dunked in a linden-flower tea which my aunt used to give me (although I did not yet know and must long await the discovery of why this memory made me so happy), immediately the old gray house on the street where her room was found, arose like a theatrical tableau…"
–Marcel Proust, Du côté de chez Swann (1913) in: À la recherche du temps perdu vol. 1, p. 47 (Pléiade ed. 1954)(S.H. transl.)
The ambrosial aroma of these tiny flowers draws millions of bees and creates linden honey, a pale colored honey despite it's strong aroma and taste. The aroma is described as woody, pharmacy and fresh, also described as mint, balsamic, menthol and camphor. Therapeutically the honey is used primarily for treating colds and fever and is said to strengthen the heart. It is reputed to be one of the best tasting and most valuable honeys in the world.
Medicinally the flowers have been used by herbalists to cure insomnia and nervous anxiety. A tissane is also good for colds, fevers and nervous headaches. It is said to be one of the best herbs for hypertension, second only to hawthorne.
I took a walk up my block one morning and harvested about a pound of linden blossoms. In the cool shade of the tree I had only to reach up and gently pull the copious blossoms into my muslin bag. They're drying in baskets laid with parchment all over the kitchen. I'm also tincturing some as I did last summer using successive batches of flowers macerated in the same alcohol. I'm planning to use it as a perfume base. It's a difficult aroma to capture and the absolutes I've sampled are lovely but don't come close to capturing it's elusive sweetness. Even the co2's I've come across, although close, don't really possess it's charms. It's on it's third round of flowers now and has turned a beautiful pale yellow/green. The aroma is sweet and has taken on some of the notes in the flowers. It doesn't have much tenacity and it's very faint but if the right notes are built around it and don't dominate it I think it will give some lovely top notes to a summery fragrance. (More on tincturing later.)
In Proust's Swann's Way the narrator dips a petite madeleine into a cup of Tilia blossom tea. The aroma and taste of cake and tea triggers his first conscious involuntary memory. Indeed, the gentle fragrance in the afternoon air triggers memories of June in the late 80's when I first moved to my neighborhood, Park Slope, and had to know where that iniminable fragrance was coming from.
"When from the distant past nothing remains, after the beings have died, after the things are destroyed and scattered, still, alone, more fragile, yet more vital, more insubstantial, more persistent, more faithful, the smell and taste of things remain poised a long time, like souls, ready to remind us, waiting and hoping for their moment, amid the ruins of everything else; and bear unfaltering, in the tiny and almost impalpable drop of their essence, the immense architecture of memory.
"Yet again I had recalled the taste of a bit of madeleine dunked in a linden-flower tea which my aunt used to give me (although I did not yet know and must long await the discovery of why this memory made me so happy), immediately the old gray house on the street where her room was found, arose like a theatrical tableau…"
–Marcel Proust, Du côté de chez Swann (1913) in: À la recherche du temps perdu vol. 1, p. 47 (Pléiade ed. 1954)(S.H. transl.)