Two New Colognes and Some Further Experiments

This year's Cologne Experiments are filtered, bottled, labeled, photographed and posted.  It was a long process but I'm happy to have all of the bottles I collected this summer (and scrubbed and sterilized) filled with my fragrant elixirs.

This year I made two new colognes, Eau Who and Noir, as well as tweaked the recipes on Florida Water, Violet Water and Bay Rum.  Eau Who is actually a re-creation that I worked on last summer in an attempt to replicate the classic cologne 4711.  This year it came out better than ever, I'm very pleased with it, so designed a whole new label for it.  It is no longer an "experiment" but a formula I'll be repeating.

I also finished Noir which has been coming along for a few years.  Every year I strain it and add more to it so it is a triple strength formula.  It's dark, rich and full bodied.

Bay Rum and Florida Water also got a bit of a makeover.  The Bay Rum is made with bayberry leaves and berries from the beaches of Brooklyn, as well as hand-dried orange peels and fresh herbs and spices.  Florida Water is composed of my own grown sweet woodruff and lavender as well as freshly ground spices.  Bay Rum is bottled in vintage amber apothecary bottles and Florida Water in green medicine bottles.

I love this process of making botanical colognes, I hope you enjoy the results of my experiments!

Mystery Found Fragrance

While hunting for bottles on the beach last month I came across this tightly capped mysterious bottle filled with liquid.  I opened it right then and there and smelled a faint floral fragrance amidst the brackish seawater.  I tucked it in my bag and proceeded to scavenge and only opened it later when I was home and sorting through my finds.  In the comfort of my home it smells more like dirty seawater than heavenly floral but still a faint trace of its original contents remains.  The sediment on the bottom could be fragrant matter that separated from the alcohol once water was introduced.  Or it could simply be debris from the ocean floor.  The bottle has no markings and is such an industry standard design that it could be almost anything.  Mystery indeed.

Beach Bottles

I had some good luck collecting bottles on the beach this year.  Most of them get scrubbed clean, sterilized and bottle up my cologne experiments.  Some of them end up as spice jars, medicine jars, liquor bottles and some are just for the love of collecting bottles.  These are some of the treasures I found this summer.

New Colognes

Colognes bottled up and ready

This season's colognes are finally brewed, filtered, bottled and labeled.  I'm pleased with the way they turned out this year.  The new influx of materials was a joy to work with.

I started the project by individually tincturing the dry materials to see/smell what they do on their own.  Then I was able to blend with more confidence.  After doing research on old cologne formulary and coming up with some ideas of my own I set about working my ideas out on paper.  I knew I wanted to do a fougere and I've always wanted to make something called Swamp Water.  The new fragrances are:

Foret de Fougere:  Lately I've fallen in love with the fragrance family fougere. French for fern, fougeres are meant to replicate the scent of the forest floor (ferns don't actually have a scent of their own). To be a true fougere there must be three notes - lavender, oakmoss and some kind of coumarin (the molecule responsible for the sweet caramel note in tonka beans, hay and sweet woodruff). Oakmoss is a little tough to come by in its natural state but the coumarin note was accomplished by sweet woodruff and tonka beans and accented with vanilla beans and patchouli. Jasmine forms the heart of this fragrance with lavender and cassia in the top. I'm really happy with the way this one came out, it may be my favorite of all the cologne experiments.

L'eau du Who:  L'eau du Who is inspired by the classic cologne, 4711. After a little research I came up with an approximate formula for the cologne and broke it down into something akin. Patchouli leaves, vetiver roots and sandalwood powder form the base while jasmine, rose buds and peach tea create the heart, finished with meyer lemon, minneola tangerine and orange peel combined with basil and lemon verbena. I named it after my guitar hero, Pete Townshend of the Who, who reportedly wore it before his shows.

Swamp Water:  Swamp Water is an idea I came up with long ago when fantasizing about the bayou. I saw grasses swaying in the breeze, the night air thick with heavy florals, a refreshing glass of tea with herbs. Vetiver, the roots of a grass, and sweetgrass combine with sandalwood to form the base while jasmine, meadowsweet and lavender bring in the heart. Swirling on top are jasmine tea, orange peel and lemon verbena.

Meadowsweet:  This cologne could easily be called Honey Water as it is as sweet as nectar. Meadowsweet and linden blossoms sit atop crushed tonka beans and sandalwood with lemon verbena gracing the top.

Terroir:  Terroir is the term used to describe the special set of characteristics that the geography, geology and climate of a certain place, interacting with the plant's genetics, express in agricultural products. Most of the herbs and flowers used in this potion are locally grown and harvested myself. Sweet woodruff, which grows in my herb garden, is supplanted with orris root and sweetgrass to form the bottom chord. Freshly harvested linden blossoms and pink and white roses form the heart, with home grown lemon verbena, tarragon and sweet annie on top. It has a sweet earthy lushness, Brooklyn grown.

Bayberry

As soon as I moved to New York I started going to the local beaches.  I'm not one to sit still for very long and as soon as the SPF was applied I'd go exploring.  Walking along the beach I'd look for shells and pretty rocks, but further up along the dunes were some other treasures to behold.  Beach roses, or beach plum, were the first discovery.  Even tho they're not a showy rose they have a wonderful rich fragrance.  The rose hip, or plum as they're called in this case, are much larger than your average hip and many people make jam with them.  I also found horsetail, a very old plant that's been around since prehistoric times.  Horsetail is loaded with calcium, so much so that one has to be very careful not to take too much for fear of calcium crystals forming.  There's plenty of bittersweet, too, and in the autumn the dunes are a sea of orange.

The best thing I've discovered on the beach, tho, are the bayberry bushes.  They're so huge yet inconspicuous that they could easily be overlooked.  Northern bay, Myrica pensylvanica, has leaves with a sticky spicy aroma and the waxy berries were used by American colonists to make clean burning candles.

The herb is astringent and stimulant and emetic in large doses.  A decoction is good as a gargle for chronic inflammation and is an excellent wash for the gums.

Culinarily the leaves can be used dried as in traditional bay leaves.  In that case harvest them in the fall when they've matured and turned leathery.  Leave them to dry completely and their flavor will intensify.  I use them in soups and stews all winter long.  In season I like to chop them up fresh and use them to season pork and chicken.  I haven't had a chance to see what they do in vodka yet but I'll be trying that soon.  I hear they did wonders in a bottle of gin according to Edible Manhattan.

My special interest in making botanical colognes got me thinking of using the leaves to try my hand at making Bay Rum.  I read many recipes and bought myself a few bottles (most notably Dominca and Ogallala, the reputed best available) and set to work experimenting.  Like all of my colognes they are a work in progress and the formulas will be tweaked and improved upon until I find just the right recipe.  I made mine with fresh bay leaves, allspice, cinnamon, dried orange zest, vodka and white rum.  The scent wasn't quite accurate so I admit to adding a couple of drops of bay essential oil (Pimenta racemosa), the optimal variety of bay leaves used in making Bay Rum.

My colognes, including Bay Rum.

More Cologne Experiments

I had such a great time making colognes this summer, and the results were so successful, that I tried my hand at a couple more.  The new brews, Fresh Mown Hay and Bay Rum, did not disappoint.

Fresh Mown Hay is a maceration of sweet woodruff (which is left to rest after harvesting in order to bring out it's distinctive hay like scent), orris root, benzoin, roses, vanilla, lemon verbena, linden blossoms and jasmine flowers.  The woodruff not only gives it it's signature scent but also considerable tenacity.  It is a rich, lush fragrance with an almost edible quality to it and conjures images of rolling in meadows.

Bay Rum was definitely inspired by the vast bay bushes lining most of the coastal areas in the New York area. I've been gathering them and cooking with them for many years and finally came around to making a fragrance. Over the summer I gathered leaves and dried them (I read they yield a better fragrance dried) and did my research on formulary and then started to experiment. Using the rinds of some mandarin oranges and freshly ground cinnamon, allspice and cloves I was able to replicate and expand on the traditional scent.

Beach Glass Bottles

Green glass vials from the beaches of Brooklyn.

I've been very lucky this past summer finding bottles on the beach.  I seem to have hit the motherload.  Clear, amber and green glass bottles in all shapes and sizes are finding their way into my collection.  Some of them take on a frosted patina which makes them glow in the light from being rolled and tumbled in the ocean.  I can't help wondering where they originated and what was their original use.

Two perfume bottles

Cleaning them up and getting them ready to be used has been a big job.  They spend a lot of time soaking in soapy water in between scrubbings.  I've collected a vast array of bottle brushes to help with the job.  Once they're squeaky clean they're sterilized in a boiling water vat before they can be used.

Amber vials

A collection of tiny vials

I live my life in a very "green" way, long before anyone called it green.   I deplore waste of any kind so to find these bottles and be able to give them another life is a joy.  I've been collecting caps from broken bottles for ages so spent some happy days sorting through the collection and finding the proper cap.  Some of the bottles will be filled with the colognes I was producing this past summer but some are for sale on my Etsy store.  I love that each bottle is a one of a kind treasure.

Beach glass bottles put to use for my cologne collection.

Cologne Experiment Results

The results are in!  My experiments macerating dried flowers, roost, rinds and herbs are completed and I have detailed notes on the results.  After a month's time the liquor was strained off and clarified and then some were matched with hydrosols.  Certain recipes didn't work at all and were discarded but most of them yielded results.  I was really surprised by the tenacity of the different brews, some of them will last days on a tester strip. 

Summer Splash came as a real surprise.  The floral note that resulted from roses and lavender macerating with vetiver, sweet annie and orange peel was astonishing.  It was blended with lemon balm hydrosol to create a summery splash.  This one changes over time in a most interesting way.

Florida Water epitomizes summer for me. There is a large Latino community intermingled in my Brooklyn neighborhood and a lot of the pharmacies cater to this clientelle so are stocked with Florida Water. I have memories of my first years in Brooklyn discovering the pleasures of an evening shower followed with a splash of Florida Water. Orange blossom and clove are the distinctive notes in the cologne so I decided orange blossom hydrosol would be used with a maceration of meyer lemon rind, sweet woodruff, lavender, benzoin, cinnamon and clove. The results smell surprisingly like the water I used all those years ago, and I think it could be considered suitable for men as well as women.

Verbena Water is the result of macerating fresh lemon verbena and sweet woodruff from my garden, dried jasmine, linden blossoms and vanilla pods and then mixed with verbena hydrosol.  It's as fresh as it sounds, the softness of the woodruff and vanilla pared with lemon verbena counterbalance each other beautifully.

Rose Garden is a blend of dried roses, angelica root, jasmine, vanilla pods and lemon verbena which was then mixed with rosewater to create a veritable rose garden in a bottle.

Violet Water is the result of orris root, sweet woodruff, benzoin and jasmine marrying beautifully to create a woodland violet sort of fragrance which was then blended with cornflower water.  Violets contain a chemical called ionones which give them their characteristic fragrance.  Orris root, the dried and aged rhizome of the Iris pallida, also contains ionones but also has a woodland quality to it.  There are no violets in this blend so the name is merely a suggestion.

Each cologne is bottled in a one of a kind vintage glass bottle collected from the beaches of Brooklyn, NY. They've been scrubbed clean and sterilized but they're old and scratched to different degrees. Expect some wear from tumbling in the ocean for who knows how long.

Cologne Experiments

I'm having way too much fun riding out the heatwave researching old forumlary on the internet in search of cologne and toilet water recipes.  After years of collecting fragrant herbs, dried flowers, roots, powdered gums, tree resins, barks, citrus rinds and spices I wanted to see if macerating in vodka would produce results.  All of the old recipes I found used essential oils, absolutes and tinctures but I wanted to see what I could come up with with just the raw ingredients.

I've started two traditional cologne recipes, a violet water, something akin to 4711 and a Florida Water, as well as one true experiment.  It's been about ten days and I can already tell which ones have promise and staying power.  My plan is to let them sit for 30 days and then strain them off, filter them and let them settle.  Then I'll pour off the clear liquor and blend it with hydrosol.

When deciding on what to use for each experiment I'm still thinking like a perfumer and making sure I have top, middle and bottom notes.  I've been aging some orris root powder for a number of years now and it's developing a subtle sweetness that I hope the tincuring will release.  I also have powdered benzoin, cedar bark, vanilla pods and vetiver roots to play with.  Dried roses and lavender make up the bulk of the heart note but I'm also using a generous supply of jasmine sambac flowers that I've dried over the past year.  The linden blossoms that I collected last year have found their way into one as well.  For top notes I have citrus rinds that I dried over last winter including mineola tangerine and meyer lemon.  From my herb garden I've added sweet woodruff, lemon verbena, lavender, basil, sweet annie and rosemary.

So far I'm loving the process and the romance of it all.  When I was a child my grandmother bought me some cologne that I used as a kind of splash.  I have such fond memories of warm summer nights splashing on her cologne after a bath and going to sleep smelling sweetly.

I'm also enjoying using the fruits of my labor over the years, and feeling like a real apothecary.  I looked around during the process and thought that it looked like a film set of an apothecary at work, yet it wasn't contrived at all.  I find I'm repeating to myself, "oh, true apothecary".