Fougere Workshop

Create the scent of the forrest floor.

There has been some interest amongst a small group of students in doing another Fougere Workshop.  I'm so happy to teach this class again on Sunday, April 12th, 1-4pm.

Fougere is a fragrance family that came into fashion towards the end of the 19th C.  The word means fern, which makes it a fantasy category seeing how ferns don't really have a fragrance.  Fougere's are meant to smell like the forrest floor and, to my understanding, must have three ingredients:  lavender, oakmoss and a coumarin note (found in tonka bean, hay, sweet clover, etc.).  Often herbs like geranium, linalool rich rosewood and more assertive notes like patchouli are added but it's the careful consideration of the other ingredients that makes the fougere your own.

In class we'll explore the genre and sample many perfumes including the original Fougere Royale and Jicky - the vanguards of the classification -  along with samples from some of the best natural perfumers working today. You'll be choosing from materials like tonka bean, sweet clover, concretes of lavender, geranium and clary sage, several lavender absolutes and essential oils, cedarmoss, cassia and ho wood.  You'll have the opportunity to create two perfumes.  $25 extra to make a third, time considering.

Sunday, April 12th, 1-4pm.  You can register here.

You can see the coumarin crystals forming on these tonka beans.

Once oakmoss is harvested it rests for seven years to develop it's wet forrest scent.

Clover also contain coumarins.

Lavender, one of the key ingredients in a fougere, also contains coumarins.

Hydrosols

For centuries we've enjoyed and benefitted from the most commonly known hydrosol, rosewater.  A true gift from nature, rosewater is intensely floral in scent and taste, a quality that lends itself brilliantly to delectable deserts.

Hydrosols are the distilled water by-product of the distillation process which creates essential oils. They are infused with microdrops of essential oil as well as water-soluble plant components which gives them their scent and therapeutic qualities.  They have taste, scent and a chemical makeup that makes them therapeutic.

Spritz them on your face, neck and body to cool and refresh yourself in summer’s heat or moisten the air in winter’s dry indoor heat. Spray in the dryer before loading your clothes or spray on clothes during ironing to beautifully scent your laundry. Refreshen the air in a stuffy room. Hydrosols act as air-borne virucides and may be used to disinfect the sick-room, hotel room or airplane. Use on hands to disinfect them when soap and water are unavailable.

Rosewater: The most popular hydrosol. Rosewater is a toner for all skin types and is the best for aging skin. It eases nervousness and is an aphrodisiac. Rosewater is also used in cooking and is popular in many Middle Eastern and Indian dishes, both in deserts and savory dishes. Check out this article from the New York Times: http://www.nytimes.com/2010/09/01/dining/01power.html?th&emc=th 
Lavender Water: Lavender hydrosol is very gentle and balancing for all skin types. It cools burned skiing, reduces mental fatigue, relaxes and refreshes. Great for jet lag. 
Chamomile Water: Chamomile Water is very soothing for dry, inflamed and sensitive skin. One of the best all-purpose waters, spray on your face, neck and body for cooling relief from summer's heat. Because of it's effect on the nervous system chamomile is a useful aid in stress reduction, depression and insomnia. It can be mildly euphoric, instilling a feeling of well-being. Useful at bedtime for physical relaxation and a restful night. Chamomile water is wonderful for skin care calming rashes, sensitivities and redness. It is the number one choice for baby care. Diaper rash redness and pain can be soothed with dilute chamomile.

Lovely Review of Sol de la Foret in Cafleurebon

So pleased to offer up this stunning review by John Reasinger of Cafleurebon.  John is a Senior Editor and the Natural Perfume Editor for the venerable blog.  I don't think I or anything I've ever created has ever been written about quite so rhapsodically.

"Without being dated or trying to be "fresh" this fougere radiates gentle green, but also timeless strength, in a unique almost brooding manner.  Its power is evident from the first sniff.  It is, however, in its restraint and poise that Sol de la Foret truly impresses me.  Old world charm and sophistication in a modern all natural perfume that still keeps its classic grandeur is indeed wonderful."

Sol de la Foret

available on Etsy

or herbalalchemy.net

Home Studio Classes

It's official.  I've begun teaching small groups in my cozy and intimate home studio.  I've been wanting to teach here for many years and the surprise closing of 3rd Ward last month deemed it time to begin.  I taught a beginner's class a few weeks ago but this past Saturday I taught my Fougere Workshop, the one I've been talking about for months now.

It's no secret that I've been fascinated by fougere's and the delightful and enticing molecule, coumarin, for some time now.  I'm a natural born researcher so when I set out to make my first creation (which turned out to be Sol de la Foret) I had to do my homework first and read up on it.  I began to send for samples of some of the original fougere's, notably Fougere Royale by Houbigant and Jicky by Guerlain, and also from some of the natural perfume world's best perfumers who've made a perfume in this classification.  As I compiled information, both factually and sensorily, I realized that I had the makings of a great workshop devoted specifically to this genre.

After taking in the samples and getting an idea of the generalities of a fougere and the wide breadth of different varieties we explored the materials in a little more depth.  Tonka bean, hay absolute, sweet clover absolute, oak moss, cedar moss, ho wood and cassia as well as a selection of lavender essential oils, absolutes and concretes were introduced.  At this point the students set out to make their own quintessential fougere.  After a little gentle critiquing of their creations we went further and discussed the different classifications more in depth (amber, floral, fresh, leather, oriental and precious wood fougere's).  A few new materials were introduced such as davana, buddahwood, ambrette, choya nak, aglaia and magnolia and then the students set out to create their second perfume.

Tester strips of some of the perfumes we sampled

The class was such a success and the students so enthusiastic that I broached the subject of a salon series meeting semi-regularly to break down the fragrance classifications.  The group was so enamored of the choya nak (a destructive distillation of roasted seashells) that the conversation kept turning to leather notes.   They were excited about the notion of an exploration in leather perfumes so I can see I have my work cut out for me with my next research project.  My head is already spinning with images of 16th Century Parisian glove makers using gorgeous florals to cover up the smell of animal skin.  Smokey cade, birch, myrtle, styrax...  Expect a leather perfume to follow!


If you're interested in being part of the Salon please email me at info@herbalalchemy.net. Space is limited.

Lovely Review in Fragrantica

I taught my first workshop in my home studio last weekend and among my students were very special guests Olga Ivanova and Zoran Cerar of Fragrantica.  Their eagerness to participate and infectious enthusiasm were a delight.   I was so honored to have them and thrilled by the beautiful review they gave the class.

Sol de la Foret

Sol de la Foret, my newest fragrance, is a true labor of love.  After falling head over heals with the fragrance family, fougere, I set out to make my own.  To be a true fougere a perfume must contain a coumarin note, oakmoss and lavender.  Coumarin was the first synthetic chemical created in a laboratory in 1886 and was the principal ingredient in Houbigant's Fougere Royale, since considered the industry standard.  Coumarins are found in abundance in materials like tonka bean, sweet clover, flouve and deertongue.  It is also found, rather surprisingly, in lavender.

For this creation I've used a generous amount of rich caramelic tonka bean.  To give it a greener, mossier and more coumaranic note I also added sweet clover, a new favorite of mine.  I used a bit of fossilized amber, a tree resin that is millions of years old from  high in the Himalayan Mountains, in the bottom to add a dry smokey quality to the earth element of the blend.  It dries down very soft and sweetens adding a slight powdery note at the bottom - along with great fixation.  Tobacco and Vanilla CO2 add some warmth to the whole bottom.  Following the rules of the true genre there is also the addition of oakmoss, adding a wet roots and leaves note to the forrest floor.  Those sensitive to oakmoss be warned.

At the heart of the perfume is a lovely synergy of carnation and lavender absoutes with a touch of clary sage and orange blossom concretes.  Tunisian neroli was a perfect match for high linalool ho wood at the top, with just a drop of blood orange.

Top:  ho wood, neroli, blood orange

Heart:  carnation and lavender absolutes, clary sage and orange blossom concretes

Base:  tonka bean, sweet clover, oak moss, fossilized amber and tobacco absolutes with vanilla CO2

This perfume comes beautifully packaged in a brown velvet envelope in a gold box with a vintage velvet millinery leaf nestled inside.  No markings of any kind have been made to the box or velvet envelope so that they bay be reused (or regifted as the case may be).  The leaf is your keepsake, that and the lingering fragrance.

Introducing Sol de la Foret, the forest floor.

See the listing on my website or Etsy store.

To learn more about fougere's, and a chance to make some yourself, sign up for my Fougere Workshop, Saturday, November 16th.

New Colognes

Colognes bottled up and ready

This season's colognes are finally brewed, filtered, bottled and labeled.  I'm pleased with the way they turned out this year.  The new influx of materials was a joy to work with.

I started the project by individually tincturing the dry materials to see/smell what they do on their own.  Then I was able to blend with more confidence.  After doing research on old cologne formulary and coming up with some ideas of my own I set about working my ideas out on paper.  I knew I wanted to do a fougere and I've always wanted to make something called Swamp Water.  The new fragrances are:

Foret de Fougere:  Lately I've fallen in love with the fragrance family fougere. French for fern, fougeres are meant to replicate the scent of the forest floor (ferns don't actually have a scent of their own). To be a true fougere there must be three notes - lavender, oakmoss and some kind of coumarin (the molecule responsible for the sweet caramel note in tonka beans, hay and sweet woodruff). Oakmoss is a little tough to come by in its natural state but the coumarin note was accomplished by sweet woodruff and tonka beans and accented with vanilla beans and patchouli. Jasmine forms the heart of this fragrance with lavender and cassia in the top. I'm really happy with the way this one came out, it may be my favorite of all the cologne experiments.

L'eau du Who:  L'eau du Who is inspired by the classic cologne, 4711. After a little research I came up with an approximate formula for the cologne and broke it down into something akin. Patchouli leaves, vetiver roots and sandalwood powder form the base while jasmine, rose buds and peach tea create the heart, finished with meyer lemon, minneola tangerine and orange peel combined with basil and lemon verbena. I named it after my guitar hero, Pete Townshend of the Who, who reportedly wore it before his shows.

Swamp Water:  Swamp Water is an idea I came up with long ago when fantasizing about the bayou. I saw grasses swaying in the breeze, the night air thick with heavy florals, a refreshing glass of tea with herbs. Vetiver, the roots of a grass, and sweetgrass combine with sandalwood to form the base while jasmine, meadowsweet and lavender bring in the heart. Swirling on top are jasmine tea, orange peel and lemon verbena.

Meadowsweet:  This cologne could easily be called Honey Water as it is as sweet as nectar. Meadowsweet and linden blossoms sit atop crushed tonka beans and sandalwood with lemon verbena gracing the top.

Terroir:  Terroir is the term used to describe the special set of characteristics that the geography, geology and climate of a certain place, interacting with the plant's genetics, express in agricultural products. Most of the herbs and flowers used in this potion are locally grown and harvested myself. Sweet woodruff, which grows in my herb garden, is supplanted with orris root and sweetgrass to form the bottom chord. Freshly harvested linden blossoms and pink and white roses form the heart, with home grown lemon verbena, tarragon and sweet annie on top. It has a sweet earthy lushness, Brooklyn grown.

Scented Powder

My summers are spent conjuring up ways to stay cool.  Middle age has caused a heatwave in me that needs as much chilling as possible.  I have a few standby tried and true remedies I use including cucumber water, violet tisane, mugi cha (Japanese roasted barley tea) and an evening bath followed by a delicate dusting of body powder.

Most commercial powders are made with talc, a mineral composed of hydrated magnesium silicate, a known carcinogen. There are other materials which are far less toxic and also have great absorptive properties.  Corn starch is often used but bacteria can grow easily in corn so the less noxious alternative is arrowroot powder, a starch obtained from the rhizomes of several tropical plants.

Another alternative base for dusting powder is clay.  Kaolin is often used but I use bentonite (simply because it's what I have on hand).  Clay is absorptive so it's perfect for homemade powders.

My Herbal Body Powder

Scenting the powder is a matter of choice.  You can simply add essential oils to your powder base and mix them up, either in a blender or carefully spraying the oils over the powder and shaking it up.  I prefer to use powdered herbs to scent mine.  I started with powdered orris root and was using an equal amount of that and arrowroot.  Powdered roses and sandalwood are also big favorites of mine.  Some other choices are chamomile, calendula, orange flowers, lavender or just about anything you can manage to grind up.  I buy some things already ground (roses, orris root, sandalwood) and other things I grind myself in a coffee grinder I use specifically for herbs.

Swan's down is the traditional material used for making powder puffs.  I'm opposed to animal cruelty and I'm not sure what the effect is for the swan.  Another alternative is lambswool.  Far less expensive than down and quite a bit larger, you get quite a whomp of powder from one of these beauties.  Otherwise it's synthetic polyester, not even an option in my book.  There are also vintage down puffs available on Etsy and Ebay, some are quite beautiful.  

We have a bit of summer left before the cool autumn blows in.  Pamper your heatstricken self with a little fragrant dusting.

Time Again to Tincture

Colognes and tinctures brewing in my studio

I don't know what it is about summer but it's then that I start trying to capture the fragrances around me in tinctured form.  Maybe it's because I prefer lighter fragrances in the summer, when I switch from heavy perfumes to a splash of cologne instead.  There's something old fashioned about an after bath splash and I thought so even as a teenager in the 70's with the lilac cologne I liberally applied after each nightly bath.

Last summer I had some very good luck tincturing some of the dried herbs, flowers, roots, barks and berries that I've been collecting.  Over the past year I've collected quite a bit more plant material to experiment with.  I've not only collected plants in the park and from my community garden but also collected some from a couple of reputable herb companies.  The first was Dandelion Botanical Company.  My original intent with this order was the accumulation of the necessary ingredients for making bitters.  Not surprisingly I couldn't resist ordering a few other scented materials such as osmanthus flowers and sarasparilla bark.  Recently I received another order of herbs from Mountain Rose Herbs, a package I waited anxiously for which included such luxuries as tonka beans and meadowsweet blossoms.

Another heat wave had me conjuring up cooling and fragrant elixirs to calm the heat-addled spirits.  My new materials had me quite inspired and I made a list of them categorizing them by top, middle and bottom note, just as I would if I were making a perfume.  From there I jotted down some ideas and began blending.  My mortar and pestle were put to good use (that always makes me feel like a real apothecary).  They've been brewing for a month now and today they're being strained off and I'll soon be bottling them up for sale.

My favorite so far is Swamp Water which I dreamt up thinking about the bayou and tall grasses, night air thick with heady florals and sweet tea.  I also made a fougere, my latest obsession, using sweet woodruff, tonka beans, patchouli, jasmine, cassia and lavender.  Eau de la Who is inspired by my guitar hero, Pete Townshend, who I learned wore the classic 4711 when he went onstage.  I plan on sending him some.

Fougere

I've fallen in love with a fragrance family, the fougere.  French for fern, fougere is a fantasy concept meant to capture the scent of the natural habitat of ferns - the forest floor.  The principal notes in a fougere are oakmoss, tonka bean and lavender.

The first fougere was Fougere Royale by Houbigant, created in 1882, and spurred a whole new perfume category.  While it's probable that these fragrant chords were popular before the release of Fougere Royale, the fragrance captured a moment in time and has forever become linked with it's origination.  Houbigant was the first house to develop a scent chemical meant to replicate the scent of fresh mown hay, otherwise known as coumarin.  Coumarin is present in tonka beans, hay, sweet clover, sweet woodruff, sweetgrass, flouve and deertounge and in lesser degrees lavender, cassia, cherries, strawberries and apricots.  It is an overall pleasant odor reminiscent of sweet grass with vanilla overtones.

Jicky by Guerlain was created soon after in 1889 and it has notes of lavender, rosemary, bergamot,  opoponax, precious woods, vanilla, and tonka bean.


Fougere captured the imagination of perfumers who used tonka, oakmoss and lavender as a base to create new versions of the concept.  Often the base is supplemented by patchouli, vetiver, sandalwood and myrrh.  Often there is a rosy heart supported by geranium and clary sage, jasmine and orange blossom with top notes of lavender, rosewood, citrus, rosemary and bergamot.  There are sub-categories of floral, fresh, oriental, amber, leather and precious wood fougeres.

I'm hosting a fougere workshop in my home atelier on Saturday, July 27th.  We'll be sampling Fougere Royale, Jicky and a careful selection of fragrances by some of the botanical perfume world's best perfumers including Dawn Spencer Hurwitz, Charna Ethier, Ayala Moriel and others.  Each participant will get to create two perfumes using an assortment of oils I've collected just for the occasion.  Tonka bean, sweet clover and hay absolute will be on hand along with several lavender absolutes and essential oils.  This will be an opportunity to experiment with a few rare and precious oils like orris, ambrette, choya nak, ho wood, buddahwood and wild sweet orange.

Fougere Workshop

Saturday, July 27th

1:30 to 4:30

$130 includes all materials

Park Slope, Brooklyn

Call (718)788-6480 or send an email to info@herbalalchemy.net for more information or to register.

My New Krrb

I've been fortunate to have been found by the local networking website, Krrb.com.  They were kind enough to set up a nice "store" for me on their website and spotlighted my potions in their blog.  They seem to particularly like my Viper Oil.

In the '20's folks who smoked medicinal herbs (think Louis Armstrong) were called Vipers. There are a slew of songs from that era including a favorite of mine performed nicely by the 4th Street Nite Owls, "If You're a Viper".

The band and I had an idea for a skin formulation, something akin to Snake Oil, for "taking the sting out" that they could sell at shows. Viper Oil was born out of this brainstorm and uses hemp oil as it's main ingredient.

The hemp oil is combined with an olive oil maceration of comfrey, calendula, plantain, yarrow, red clover, thyme and roses (all grown locally in my garden) and fortified with the essential oils of frankincense, lavender, geranium, hemp, carrot seed and rose.

I had a good time doing some research into old time Snake Oil and could only imagine a barker announcing my "miracle cure".  "Takes the sting out of skin afflictions such as insect bites, cuts, minor burns, abrasions & irritations. Reduces inflammation, soothes your wounds, abates your misery. The wound resolution miracle!"